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CineAF Milano, 2020 - 2022 Despite rising institutional concern for the gender gap in the European job market in general (EU Gender Action Plan 2016-2020) and the film industry in particular, the Italian market share of films directed by women in the period 2006-2013 was 2.7%, while that by male directors was 97.3%. The Italian film industry is sealed shut even tighter for creators whose ide ntities intersect womanhood with a non-white or migrant background. This action redresses the persistence of this staggering imbalance by addressing the near-absenting of women’s and accented voices, both in the discourse around and practice of Italian filmmaking . Research by the European Women’s Audiovisual network has found access to funding to be the most problematic aspect hindering gender equality in the Italian cinema sector . The project will accomplish two objectives at once: the obviation of encrusted film historiography canons, and the creation of an alternative archive of cinematic creativity with the capacity to reinvent the category of Italian cinema. CineAF will showcase the persistence of women's creativity despite the deficits and biases of the industry, and therefore shift the onus onto industry actors to explain why they have left such a vast fount of material on the margins. Working group : Mariagrazia Fanchi – Director of ALMED Roza Barotsi Sede: Milano Area Scientifica: scienze dell’antichità, filologico-letterarie e storico-artistiche Responsabile scientifico: Mariagrazia Fanchi Periodo di svolgimento della ricerca: 2020 - 2022 #gender studies #women #visual arts #film #race #discrimination and inequalities #msca-if #faculty of arts and philosophy.
